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By Linda Bloom*
1:00 P.M. EST December 17, 2010 | NEW YORK (UMNS)
A camera operator lines up shots of lessons and carols during a
pre-broadcast rehearsal for the CBS Christmas Eve special at the Church
of St. Paul and St. Andrew, United Methodist, in New York. UMNS photos
by John C. Goodwin.
View in Photo Gallery
When members of the Church of St. Paul and St. Andrew, United Methodist,
were given the chance to produce a Christmas Eve special for CBS-TV,
they pulled together their talent, money and prayers to make it happen.
The result, “A Christmas for Everyone,” intertwines a rich, festive
service of lessons and carols with glimpses of the Manhattan
congregation’s array of programs for the homeless, poor and marginalized
and its interfaith relationships.
In many viewing areas, the program will be broadcast at 11:35 p.m. Friday, Dec. 24 on CBS. Viewers can verify local times through the affiliates listed here.
To Ken Guest, a lay leader at St. Paul and St. Andrew — affectionately
known as SPSA — “the opportunity to share with people across the country
what we do here” was not to be missed.
“The church is for everyone,” he added. “This building is a place where
people come to be healed, to be fed, to be sheltered, to be re-energized
to spread the good news.”
Making the decision to participate in the Christmas Eve broadcast took a
leap of faith, said the Rev. James “K” Karpen, senior pastor. “It had
to be fun because it was clear it was going to take a lot of work,” he
explained. “We had to come up with something that was worth showing to
people.”
Vicki Clark practices her solo of “O, Holy Night.”
Asking the talent
They began to call on some of the talent at hand to see what was
feasible. One of those people was Gina Boonshoft, who became acquainted
with SPSA after her daughter started attending the church and officially
joined about seven years ago. She had worked for years in film
production, but has been on a self-imposed hiatus to attend to various
family matters.
Boonshoft, who took on the role of SPSA’s producer/production manager,
was sold on the idea at the first meeting she attended about the
project. “From that meeting, there was such an electricity just talking
about the possibility and what this could mean and how exciting it was,”
she recalled.
Vicki Clark, a long-time member and Tony-winning actress, also felt that
electricity, which she passed along when she presented the proposal to
the congregation at the Sunday worship service.
“By the end of the service, we had collected an overwhelming number of pledges and gifts,” Guest said.
With congregational approval, Karpen and Shirley Struchen, a church
member and liaison with CBS, met with Jack Blessington, executive
producer of cultural and religious broadcasts at CBS, to refine ideas
for the program. “A Christmas for Everyone” is presented by the
Interfaith Broadcasting Commission in partnership with CBS, and produced
with the cooperation of the National Council of Churches.
Afterward, in an e-mail, Karpen asked for the thoughts, concerns and
prayers of church members, as well as their participation in everything
from sprucing up the sanctuary to singing in the choir. “For God to send
a strange opportunity like this, I figure that God must have something
in mind for us,” he wrote.
Elyse Debar (right) and Joe Locarro monitor rehearsal from the control room during a pre-broadcast rehearsal.
View in Photo Gallery
Lining up support
While Boonshoft lined up volunteer support from the congregation, Clark
pulled together the outside talent. Joe Locarro, with whom she had
worked with long ago on “Cats” and “Les Misérables,” agreed to direct.
Two other colleagues, Matt Berman and Matt Kraus, would handle the
lighting and sound, respectively. “They’re all really at the top of
their game,” she noted.
The real miracle was that, in the midst of busy schedules, everyone was
available the weekend of Dec. 11-12, when the rehearsal and filming
would occur. “The way the pieces fell into place, we have to think that
God had a hand in this,” Clark said.
Those pieces included seven cameras; banks of high-powered LED lights
that can project an array of colors against the high, arched front wall
of the sanctuary; sound and light boards behind the last row of pews and
a control room fashioned into the back tower.
As the production values rose, so did the budget — to roughly $50,000.
CBS contributed $7,000 and the Metropolitan District of the United
Methodist New York Annual (regional) Conference donated $2,500, but the
remainder came from the congregation itself.
Gina Boonshoft (left) and Ken Guest, members of the Church of St. Paul
and St. Andrew, United Methodist, in New York consult during the setup
for taping.
View in Photo Gallery
The setup
On the afternoon before the service was taped, volunteers adjusted
lighting, checked sound and rigged a jib — which displaced a row and a
half of pews — to maneuver a floating camera for wide shots.
Meanwhile in the chapel, SPSA music director Frank Glass led the choir
through a quick rehearsal of “Joy to the World” and other Christmas
hymns. He stopped them during a section of “O, Come All Ye Faithful” to
point out: “It’s not an ad for Oscar Mayer. It’s not Beth-le-ham.”
Locarro — who had been shooting a new series on wine for PBS about 20
blocks south of the church — moved his cameras and crew uptown for the
weekend. “I think this is going to present its own challenges because it
is a live service and we want to capture elements of that,” he said.
A plan was posted on the wall of the makeshift control room, breaking
down the worship hour into 33 parts. Each camera was set to record
separately.
“As much as possible, we figure out where shots are going to be,”
Locarro said. “At the end of the service, we’ll have a rough edit of
everything.”
On Sunday, the mood was as deeply joyous as the colors that stained the
altar wall. New York Bishop Jeremiah Park brushed away sorrow with his
reading of Isaiah 35. The choir and musicians led the congregation in
seasonal choruses before Karpen offered his take on the Christmas
message. Clark presented an electrifying solo of “O, Holy Night,” and
small bells scattered around the sanctuary rang in “Joy to the World.”
Then, over the next two days, it was time to edit the rough cut. The
biggest challenge: distilling what turned out to be an hour and 15
minutes into 57 minutes, plus an introductory segment.
“We just snipped where we needed to snip,” Boonshoft said. “We kept everything about what makes the church special.”
Karpen hopes that viewers of the CBS Christmas Eve program will “catch
the message of Christmas — the message of the huge and radical nature of
God’s love for us and everybody — in a way that is really meaningful to
them.”
*Bloom is a UMNS reporter based in New York. Follow her at http://twitter.com/umcscribe.
News media contact: Linda Bloom (646) 369-3759 or newsdesk@umcom.org.
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